BEN SHAHN THE SHAPE OF CONTENT PDF

In his Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the. The Shape of Content has ratings and 25 reviews. the Russian-born American painter Ben Shahn sets down his personal views of the relationship of the. Get this from a library! The shape of content. [Ben Shahn] — “Mr. Shahn sets forth his views on both the practice and the purposes of art with a clarity, cogency.

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If you ARE an artist— especially one who has ever felt limited by labels that feel arbitrary or never quite right, one who has felt invalidated by art critics, one who has ever wondered WHAT to do or HOW to do, especially how to do in the I adored this book. Apr 26, Andrew Martin rated it it was ok Shelves: How do we, as people living in the Contet States, regard artists, and how are those hopes reflected or not in universities, art criticism, and the canon?

Jun 23, Pete rated it really liked it. The Best Books of Open Preview See a Problem? Sign up here to receive your FREE alerts. Jun 03, secondwomn rated it liked it Shelves: By using our website you agree to our use of cookies.

Description In his Charles Eliot Norton Lectures, suape Russian-born American painter Ben Shahn sets down his personal views of the relationship of the artist-painter, writer, composer-to his material, his craft, and his society.

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I forsee rereading this whole book again this year.

The Shape of Content

In my own experience as a sahpe major at a liberal arts college, I feel I benefitted greatly from taking elective courses on sculpture and playing table. View all 6 comments. Janet Pfeiffer rated it it was amazing Sep 24, Space, Time and Architecture Sigfried Giedion.

In fact, he wanted to capture in as simple way as possible the monstrous horror of fire to a family.

The Shape of Content – Ben Shahn – Google Books

Jan 25, LemontreeLime rated conyent really liked it Shelves: At this point I cannot resist a few somewhat crisper lines in this direction from Francis Bacon: Found this on my bookshelf and am interested to take another look. Other values used in assessing artistic worth are more variable: Goodreads is the world’s largest site for readers with over 50 million reviews.

Just a moment while we sign you in to your Goodreads account. If you ARE an artist— especially one who has ever felt limited by labels that feel arbitrary or never quite right, one who has felt invalidated by art critics, one who has ever wondered WHAT to do or HOW to do, especially how to do in the face of society, read this. Sometimes it got a bit dull, other times it was very passionate and star- or underline-worthy.

The Shape of Content by Ben Shahn

I found a lot of common sense to his piece on evaluating art. He talks of the creation of the work of art, the importance of the community, the problem of communication, and the critical theories governing the artist and his audience.

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Quotes from The Shape of Content. Looking for beautiful books? I have a soft-spot for essays, which I consider one of the purest literary forms. No one can deny supreme skills at work are at play even in Pollock and Albers. Shahn is the type of artist who puts a lot of political perspectives into his own art.

But I want to be free to be painstaking if I want to, to be responsible, to be involved; to be free to exercise whatever intellect I may have, and I consider both discipline and craft indispensable to freedom.

This collection of six essays by the American artist comprises the Charles Eliot Norton Lectures,delivered at Harvard. It was very interesting how form and content were expressed in regard to painting.

Dec 28, Zach Erdmann rated it it was amazing.

Questions?

In his Charles Eliot Norton Lectures, the Russian-born American painter Ben Shahn sets down his personal views of the relationship of conent artist–painter, writer, composer–to his material, his craft, and his society.

Shahn spends some time on the struggle to assure the embrace of arts included immersion creative practice and not just art history and scholarly analysis. The representative element in a work of art may or may not be harmful, but it is always irrelevant.